論文 /李念昀

作品簡介

文化產業是近來政府大力推動的產業，然而文化產業內涵文化和商業的矛盾，以及跨學科的性質，各方激辯不斷。因此，本研究首先界定出研究範圍屬於文化產業的一環，並在接下來的研究中以白米社區為案例分析其社會結構運作。

  本研究從文獻探討中發現地理經濟面向的評析角度和文化產業的論述基礎，如:文化產業的功能—解決都市問題、形塑國家認同和新的經濟基礎；Jim McGuigan(吉姆麥基甘)的三種文化政策論述；法國哲學家尚.布希亞的擬像概念。藉此，從論述工具分析發展歷程的結果，期望能以新的眼光更深入解讀文化產業。

  內文選定白米社區做為案例，一方面因為其是政府大力推動且受人讚揚的案例，另一方面，考量到文化產業的地緣經濟特性加上白米社區發展已久有豐富的歷史資料，因此本研究期望能以此案例審視國內的文化產業發展歷程。內文第一部分檢視發展源流，第二部分以論述工具分析，最後為研究發現與結論。

The government invests in cultural industry, expecting it to yield positive results. However, whether or not it could actually produce the intended outcome, is not without a question. This issue lies in the two elements that seems to be the polar-opposite of each other —culture and economy. The Conflict between the two of them draws my attention and inspire me to do further research.

In this essay, I will describe the history of cultural industry in Bai-Mi community,  then analyze it with three statements to understand how the tension affect  the development of Bai-Mi community .

First, I will analyze the cultural policy from Jim McGuigan's viewpoint in order to grasp the transformation of cultural policy. On the other hand, the function of cultural industry will also be discussed in three directions, referring to Graham Murdock's method. Lastly, the writer will elaborate on the connection between the concept of the simulation and cultural industry.